Ghosts, the Gothic, and The Uncanny
Online
Tuesday 8th December 2026
In Cynthia Huntington’s poem ‘Ghost’ the author imagines haunting a loved one and writes I would creep near you like a question.
When by thy scorn, O murd'ress, I am dead/And that thou think'st thee free/From all solicitation from me,/Then shall my ghost come to thy bed/.
Malevolent, mischievous and mysterious, ghosts can add excitement and edge to stories and poems. And ghosts, along with other aspects of the supernatural, macabre and uncanny, are an essential component of the Gothic genre.
Anna Saunders is the author of Communion, (Wild Conversations Press), Struck, (Pindrop Press) Kissing the She Bear, (Wild Conversations Press), Burne Jones and the Fox, Ghosting for Beginners, Feverfew, The Prohibition of Touch, Eurydice in the Ruined House, (all from Indigo Dreams).
Feverfew has been described as ‘rich with obsession, sensuousness and potency’ by Ben Ray, and as ‘a beautiful and necessary collection’ by Penny Shuttle.
When by thy scorn, O murd'ress, I am dead/And that thou think'st thee free/From all solicitation from me,/Then shall my ghost come to thy bed/.
Malevolent, mischievous and mysterious, ghosts can add excitement and edge to stories and poems. And ghosts, along with other aspects of the supernatural, macabre and uncanny, are an essential component of the Gothic genre.
Anna Saunders is the author of Communion, (Wild Conversations Press), Struck, (Pindrop Press) Kissing the She Bear, (Wild Conversations Press), Burne Jones and the Fox, Ghosting for Beginners, Feverfew, The Prohibition of Touch, Eurydice in the Ruined House, (all from Indigo Dreams).
Feverfew has been described as ‘rich with obsession, sensuousness and potency’ by Ben Ray, and as ‘a beautiful and necessary collection’ by Penny Shuttle.
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